The asthmatic death rattle of the air-scrubber was a comfortable sound, a beacon home in the crushing waves of the street. It had guided him home every night now for eight years to the same drafty building and the same putrid stairs, and the same motherless little girl at the top who made it all worthwhile. Clara was eleven and all that came with it. Her father would give his life to save hers.
This one's a short stand-alone I wrote back in '04. It's set in medaeval Europe, sometime after the events of King Arthur's time. It is, of course, my own work, and not to be republished or sold. Enjoy. “I am old,” I tell him. “My eyes do not work like they used to. Give me… Continue reading Glastonbury Abbey
The familiar carol's paradigm downshifted like McQueen and floored it, and I realized what the shepherds saw that had them "sore afraid."
Then a roar like the fall of a second Atlantis tore the jungle behind us. The great pillar stood shuddering, and then it fell, smashing branches and saplings on its way. It shook the ground when it fell, and the treetops parted ...
Ladies and gentlemen, and scoundrels of all ages, this is the page for the stories.
Wordsworth wrote an endless poem in blank verse on” the growth of a poet’s mind.” I shall attempt a more modest feat for a more distracted age: a blog, “Things which a Lifetime of Trying to Be a Poet has Taught Me.” AIR A Song of Taliessin While walking out under the greenwood fair […] via… Continue reading Shameless Plug for a Friend’s Poetry.
It only occurred to me this week, some few days after I opened the Stories shelf with The Bestiary and The Legend of Gnat Bunker what those two pieces have in common. They are not merely "creative" but meta-creative. They're about how we create what we do, and in a deeper sense, why.