“I didn't like the way you treated Sam just now,” she said when he reached her table. “Sam was begging for it.” She was wearing something much too short, but Kriever was too busy to be impressed. “Put on a coat and take me uptown, doll,” he said.
We pushed our way through the shattered city. All around us were the signs of a race without hope, an entire nation devoid of both love and life. "Is this what they saw at Pompeii?" I wondered. Men and women both, dead before they died.
"My friends, guests, neighbors, jokebrunts, et cetera, et cetera, I have asked you to come because Things are Happening," said the satyr.
"Now, here are my maps, all very incomplete, of course—a little hobby of mine. Folks from all over come in here, mostly gnomes, of course, but a few dwarves not too proud to duck a bit sometimes. The Father has blessed all his children, and I feel my blessing is to share in hospitality."
Were those footsteps? He hid himself behind a massive oak—greater than any he had seen in Europe. The trunk was more than five feet in diameter, and smelled musty—very musty. He could almost smell the centuries of age in the bark. But there were the footsteps again! This time he was sure of it. He peered out around the trunk...
"I'm wondering if there isn't a connection between this Viking’s appearance and our man's disappearance." "Yes, but I still don't know. It's all...so...well, I don't know. So unusual..."
It only occurred to me this week, some few days after I opened the Stories shelf with The Bestiary and The Legend of Gnat Bunker what those two pieces have in common. They are not merely "creative" but meta-creative. They're about how we create what we do, and in a deeper sense, why.
Let me tell you about last Saturday. On Saturday I was in my studio again, trying to sketch a dragon...